I recently went twice to see A Complete Unknown, the biopic about Bob Dylan’s early rise to stardom from 1961 until 1965 with Timothee Chalamet as Dylan. Both times the audience was mostly age fifty and up. I am eighty-five—two years older than Dylan. We are members of what is called, misleadingly, “The Silent Generation.” The postwar generation are Boomers, who are associated with the upheavals of the 1960s, but as Dylan puts it in his memoir, Chronicles, One, “I had very little in common with, and knew even less about, a generation that I was supposed to be the voice of.” The well-known movers of that era—Dylan, Warhol, Ginsberg, Baez, Beatles, Rolling Stones, and many others—are prewar or war babies.
Kindred Conversations with Hilary Nichols: Singer, Bandleader, and Performer Dani Darling
Last summer, as she has every summer since 2018, Dani Darling performed at the Ann Arbor Summer Fest. This time she took to the main stage with her identical triplet sisters as guests to drop into an electrifying harmony like it was their first language—maybe because it was.
Pure Levels: Tree City’s Futuristic Space Funk Odyssey
In the world of independent rap, the release of an album is often the culmination of years of work, development, and growth. For the Ann Arbor hip-hop collective Tree City putting out their new album, Pure Levels, has been anything but a conventional journey. With a sound that Tree City dubs “futuristic space funk,” the group has crafted an album that stands as both a personal testament to the 13 years it took to create and a nod to the vibrant music scene of Ann Arbor.
The Power of Music: Local Music Scene is a Source of Healing and Connection
“Music is inherently an emotional experience, whether while performing it or hearing it. Some people are reached by song lyrics in a way that a sermon could never reach them. Some people are moved by a chord progression or a minor key, even if they have no idea why,” said Katie Geddes. As the Director of the Green Wood Coffee House Music Series since 2000, Geddes has organized hundreds of concerts featuring musicians ranging from local performers to Grammy nominated artists like Sophie B. Hawkins and even the legendary poet and lyricist Rod McKuen.
Kindred Conversations: Musician Kyler Wilkins and Ki5
The first time I experienced Kyler Wilkins’ music I was mystified. I had to move toward the front of the audience to witness close-up all of the intricate and elegant sounds being amplified from a simple set up on stage. He was playing the Ann Arbor’s SummerFest side stage in June 2022.
The Symphony of Development: Exploring the Importance of Music in a Baby’s Growth
In the delicate journey of a baby’s life, music weaves a melody that resonates far beyond the nursery walls. The impact of music on a baby’s development encompasses cognitive, emotional, social, and physical domains. Incorporating music into a baby’s early experiences is not just a source of joy but a powerful catalyst for holistic development.
Holler Fest: A Happy, Hoppin' Place
Ann Arbor does summer well. This town comes alive with outdoor music from June to September, but each summer the local musicians and music lovers know that to wind-up the summer, Holler Fest is the place to be.
Rhythm: Good for What Ails You
Can you recall a moment with a group of people having the time of your life? What memory pops up first? Is it a sports event when you were all cheering, or dancing at a wedding, or maybe in a club when your favorite tune played? Did your experience include some kind of rhythm, or let’s name it “pulse,” that was pulling you all together? Most likely you weren’t even aware something else might be happening. You just thought you were having fun. If you think you don’t have rhythm, spoiler alert, you do!
A Singer, a Song, and Memories
I first heard Steve Goodman’s song, “The City of New Orleans” over fifty years ago. I remember seeing him sing it at the Mariposa Folk Festival sometime in the mid 1970s, but I heard Arlo Guthrie’s much better-known version even earlier. I thought it was a terrific song, but I felt no special pull to learn it. I continued to come across it occasionally over the years, especially in the mid ‘80s after Willie Nelson’s version came out, and always felt the same about it.
A Daily Dose of Sound, Vibration, and Frequency
Sound, vibration, and frequency are a part of everything we do. Sit for a moment, take a deep breath, and listen…. What do you hear? Maybe it’s the TV in the next room, or the gentle hum of the refrigerator’s condenser kicking in, or traffic on the street or road outside the building you are in. Many of the sounds we hear are processed and filtered in a way that we just don’t notice them. Whether it’s white noise specifically used for relaxation, or any of the other “colors of noise,” sound and vibration is a constant part of our life.
Folk Song Jam Along— Singing and Playing Just for Joy
A half hour before the six o’clock start time of the monthly Folk Song Jam Along, there were already about a half dozen people in the program room at the Westgate Branch of the Ann Arbor District Library. Song leaders Lori Fithian and Jean Chorazyczewski greeted early arrivals at the door and chatted with familiar regulars. There were about fifty chairs facing the large pull-down screen at the front of the long rectangular room. Fithian had set her Mac laptop, complete with purple case, on the lectern on one side of the screen, and Chorazyczewski’s Yamaha electric keyboard rested on its stand near the other side.
Book Review: Trauma-Informed Music Therapy: Theory and Practice
The timely book Trauma-Informed Music Therapy: Theory and Practice is a collaboration of the expertise of music therapists, educators with experience in psychological health and trauma-informed education, clinicians, and psychotherapists. Based on the intersection of music therapy and trauma healing, the resulting body of work is an expansive text readers can utilize repeatedly.
Kindred Conversations: with Hilary Nichols
Where does music begin? When you’re a musician, the search is inward. David Magumba realized that, “Beyond inspiration, you do the work. You make it happen. As a songwriter, that is the effort I am making right now.”
The Sound of Healing with Kimberly Joy Rieli
When you first see Kimberly Joy Rieli, you may be smitten with her fairy queen appearance. The long flowing hair, her lithe frame, and doe-eyes only add to the emanating aura of kindness and peace. Yet to limit your understanding to just the visual sense would sorely miss the depth of her very real healing gifts.
Leaps of Faith: The Thrift Depot
This column is a look at two brave souls who took a leap of faith to open their own business. What follows is a personal profile of Josh and Jen Maxam who are following their dreams and thriving despite the odds—and Covid.
Crysta Goes Visiting, Fall 2021
In this column, Crysta Coburn writes about Crazy-Wisdomesque people and happenings around Ann Arbor. The fall 2021 issue features Fangs and Twang, Ann Arbor Mentality Podcast, and artist Lavinia Hanachiuc.
The King Family: Half a Century of Farming, Making Music, Teaching Yoga, and Building Community
The King family has been a prominent presence in the Ann Arbor and Southeastern Michigan community in a myriad of ways—as farmers, musicians, teachers, and more—for nearly fifty years. The roots of the King family and their Frog Holler Farm go back to 1971, to the founding of the Indian Summer restaurant in Ann Arbor. That’s where Indian Summer’s co-founder, co-owner, and head cook, Ken King, met Cathy Munkholm. Cathy had been hired to make salads at the restaurant and worked alongside Ken, chopping vegetables.
Nadim Azzam and Whip Jams: Taking a Ride with Local Musicians
In the first few seconds of the pilot episode of Whip Jams, the viewer is taken on a kaleidoscopic tour through downtown Ann Arbor that feels almost foreign in 2021: windows down, sun splashing across laughing faces, music blasting. This is not a view one might associate with the current times, but in a world where human connection feels lost, comes a Youtube video series that aims to fuel a new kind of connectedness. Nadim Azzam is many things: creator, producer, marketer, promoter, and host of Whip Jams, to name a few. But before that, or perhaps beyond that, Azzam is a musician.
Singing on the Threshold
In the twilight hours of early evening, three women gather around a bedside. Their voices are gentle and soothing; their lyrics and harmonies weave a spell. The lines on the face of the man in the bed smooth out a bit; the family members in the room visibly relax. This is the magic created by Threshold Singers of Ann Arbor, and Threshold Choirs in more than two hundred locations around the world. The Threshold Choirs sing to people in the midst of a transformative life event: most often dying, but also recovering from illness or surgery, going through difficult emotional times, or being in chronic pain. They sing in hospitals and hospices, at nursing homes, in private homes, and once in a while, for the general public.
Anne Ormond: A Vessel of Crazy Wisdom. Music, Moving, and Life Lessons from an Octogenarian
When I emailed Anne Ormond to ask if I could interview her for this profile in the Crazy Wisdom Journal she replied, “Sure, why not? For Crazy Wisdom? That is a pretty good description of me—crazy wisdom.” The answer is typical Anne; brief, perceptive, a little self-deprecating, and witty. In a later conversation I said to her, “A lot of people your age are doing a fraction of what you’re doing,” she shot back with, “A lot of people my age are dead.” Anne is 83, and still busily engaged in a dizzying array of organizations and activities. “Well, I got to be 83, and I am still healthy—through pure luck and heredity, and maybe also thanks to my healthy life-style. I am constantly doing things; physical, mental, social, and spiritual. Many things that I do fit into more than one category. I choose to do things that I love. I have passions.” And she seems compelled to seize every opportunity to wring as much as possible out of every single moment.