Harriet Tubman stares at me as I approach her. I am walking in the forest behind the high school with my dogs. It is an early spring morning, the sun lighting the sky but not yet risen, trees leafless, robin and cardinal calls in my ears. In 2020, art appeared in the forest: a colorful banded ACAB (for “All Cops are Bastards” used by a variety of groups, both racist and anti-racist) sign, Toni Morrison’s portrait printed on sheet metal and Harriet, in orange and green. While Toni is gone, the others remain, and I greet them as I pass, Harriet in particular. Her eyes reach through time to touch my heart and depending on what is happening in the world, I feel her gaze as accusing, patient, angry, vulnerable, or shocked.
Lovingkindness in Action: A Visit to the Arab-American Museum
I stared at the man silhouetted against the murky gray December sky. Strings of blue and white lights arched skyward as he placed them over the turquoise tiled sign announcing in Arabic and English Arab American National Museum. Walking under the lights felt like a metaphor for the threshold I crossed as I entered the building. I stepped into an atrium that reminded me of dun stone buildings and courtyards, sunnier climates, and warm weather clothes. I breathed in, tuning into my body and the stream of sensations.